Movies So Disturbing People Walked Out

Updated May 1, 2024

Many creators have reported on Movies So Disturbing People Walked Out. We found 25 of the top ones.

Oldboy (2003)

★★★★

3.4 out of 4 stars

From Park Chan-wook, starring Choi Min-sik, Yoo Ji-tae, Kang Hye-jeong, Kim Byeong-Ok
Rated R

Oldboy is a 2003 South Korean psychological thriller film, directed by Park Chan-wook. The film follows the story of Oh Dae-su, a businessman who is kidnapped and imprisoned in a strange hotel-like room for 15 years without explanation. When he is finally released, he embarks on a mission to discover who his captor is and why he was held captive for so long. On his journey, he comes face-to-face with secrets from his past, as well as a powerful and deeply personal vendetta. Oldboy is a highly acclaimed classic of South Korean cinema, praised for its unique and darkly twisted storyline, as well as its thrilling action sequences.

Requiem for a Dream (2000)

★★★★

3.3 out of 4 stars

From Darren Aronofsky, starring Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans
Rated R

Requiem for a Dream is a 2000 psychological drama film directed by Darren Aronofsky. The film follows the lives of four characters as they struggle with addiction and its consequences. Harry Goldfarb (Jared Leto) and Marion Silver (Ellen Burstyn) are in a budding romance and both battle with drug addiction. Harry’s friend, Tyrone C. Love (Marlon Wayans), has also succumbed to drug use. Meanwhile, Harry’s mother, Sara Goldfarb (Ellen Burstyn), is addicted to the idea of appearing on a TV game show. As the characters sink further into their respective addictions, the consequences of their choices become more and more severe. The film is a tragic exploration of the effects of addiction on individuals and their loved ones, showing how it can tear people apart.

A Clockwork Orange (1971)

★★★★

3.3 out of 4 stars

From Stanley Kubrick, starring Malcolm McDowell, Patrick Magee, Michael Bates, Warren Clarke
Rated R

A Clockwork Orange is a 1971 dystopian crime film written, directed, and produced by Stanley Kubrick and based on Anthony Burgess' 1962 novel of the same name. The film follows Alex (Malcolm McDowell), the leader of a violent gang of droogs, who, after a night of "ultra-violence" and the attempted rape of a woman, is arrested and sent to prison. Alex then undergoes a controversial experiment in a government-sponsored rehabilitation program in which he is “cured” of his violent tendencies, only to find himself in a more chaotic world than before. The film is an exploration of free will, morality, and the implications of a society in which such treatments are commonplace and accepted.

The Exorcist (1973)

★★★★

3.2 out of 4 stars

From William Friedkin, starring Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb
Rated R

The Exorcist is a 1973 American horror film directed by William Friedkin and starring Ellen Burstyn, Linda Blair, Max von Sydow, and Jason Miller. The film is based on the novel of the same name by William Peter Blatty and tells the story of a young girl possessed by a demonic entity. When her mother (Burstyn) seeks medical help, two priests (von Sydow and Miller) are brought in to perform an exorcism. The film was controversial upon its release and is still considered to be one of the greatest horror films ever made. It was nominated for 10 Academy Awards, winning two, and has become a classic of the horror genre.

Funeral Parade of Roses (1969)

★★★★

3.1 out of 4 stars

From Toshio Matsumoto, starring Pîtâ, Osamu Ogasawara, Yoshimi Jô, Koichi Nakamura
Rated Not Rated

Funeral Parade of Roses is a Japanese film directed by Toshio Matsumoto and released in 1969. It is a scathing criticism of traditional Japanese society and its rigid gender roles. The film follows Eddie, a young transgender woman working as a hostess in a Tokyo gay bar. In this setting, she is a leader of sorts, commanding the admiration of her peers. As Eddie's story unfolds, her past is slowly revealed, culminating in a tragic climax. The film is an exploration of identity and gender, as Eddie struggles to find her place in a society that rejects her. The film also tackles social issues such as war and the status of women in Japan, as Eddie's story reflects a changing Japan in the 1960s. Funeral Parade of Roses is a visually stunning and thought-provoking exploration of identity and gender, and a captivating look at Japanese culture and society in the 1960s.

I Saw the Devil (2010)

★★★★

3.1 out of 4 stars

From Jee-woon Kim, starring Lee Byung-hun, Choi Min-sik, Jeon Gook-hwan, Ho-jin Chun
Rated Not Rated

I Saw the Devil is a South Korean psychological thriller directed by Jee-woon Kim. The story follows a secret agent on a mission of revenge after his fiancée is brutally murdered by a serial killer. He employs a game of cat and mouse, tracking the killer and exacting his own form of justice. The game of revenge soon escalates, with the hunter becoming the hunted and good and evil blurring until there is no clear distinction. With intense action, complex characters, and a captivating story, I Saw the Devil is an intense thriller that is sure to keep viewers on the edge of their seat.

Happiness (1998)

★★★★

3.1 out of 4 stars

From Todd Solondz, starring Jane Adams, Jon Lovitz, Philip Seymour Hoffman, Dylan Baker
Rated NC-17

Happiness is a 1998 film written and directed by Todd Solondz. The film follows three sisters and the people in their lives as they struggle with life's challenges and joys, including depression, adultery, and suicidal thoughts. The main story focuses on the sisters: Helen, a recently divorced magazine writer; Trish, a successful businesswoman with an unhappy marriage; and Joy, an aspiring singer. The film also follows their friends, family, and acquaintances, exploring their loneliness and their attempts to find happiness in their own lives. The film ultimately concludes with each character learning to accept themselves and others, and finding joy in life.

Mysterious Skin (2004)

★★★★

3 out of 4 stars

From Gregg Araki, starring Brady Corbet, Joseph Gordon-Levitt, Elisabeth Shue, Chase Ellison
Rated Unrated

Mysterious Skin is a 2004 American drama film directed by Gregg Araki and starring Joseph Gordon-Levitt and Brady Corbet. It is based on Scott Heim's 1995 novel of the same name. The film tells the story of two pre-adolescent boys, Neil McCormick and Brian Lackey, who are sexually abused by their Little League baseball coach. Neil, who is outgoing and sexually precocious, interprets the abuse as a sexual experience while Brian, who is quieter and more introspective, is traumatized and represses his memories. Years later, Neil has become a hustler in search of the unknown man who abused him while Brian is emotionally scarred and trying to piece together his fragmented childhood memories. As the two boys begin to learn the truth of what happened to them, they must face the harsh realities of their past and ultimately come to terms with who they have become.

The Skin I Live In (2011)

★★★★

3 out of 4 stars

From Pedro Almodóvar, starring Antonio Banderas, Elena Anaya, Jan Cornet, Marisa Paredes
Rated R

The Skin I Live In is a psychological thriller by Spanish director Pedro Almodóvar. The film follows Dr. Robert Ledgard, a prominent plastic surgeon, as he conducts a series of experiments on Vera, a mysterious woman kept in captivity in his home. Dr. Ledgard is driven by a tragic event from his past to create a new, synthetic skin that can survive any hardship. As the experiments progress, secrets from Dr. Ledgard's past are revealed and Vera's true identity is uncovered. In the end, Vera's story is one of revenge and redemption.

Funny Games (1997)

★★★★

3 out of 4 stars

From Michael Haneke, starring Susanne Lothar, Ulrich Mühe, Arno Frisch, Frank Giering
Rated Not Rated

Funny Games is a psychological thriller film written and directed by Michael Haneke. The film follows two sociopathic young men, Peter and Paul, who hold a wealthy family hostage in their vacation home. Peter and Paul systematically torture the family, threatening and manipulating them with psychological games and violence. As the family struggles to survive, the two men show no remorse and no mercy, turning the family's vacation into a psychological nightmare. The film is a reflection on violence in the media, and shows that evil can sometimes be random, unpredictable, and beyond our control.